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Benito Lertxundi Discografia Completa Extra Quality



Benito Lertxundi Discografia Completa: A Journey Through Basque Folk Music




If you are a fan of Basque folk music, you have probably heard of Benito Lertxundi, one of the most influential and prolific singers in this genre. Lertxundi was born in Orio, Guipuzcoa, Spain in 1942 and started his musical career in the 1960s. Since then, he has released more than 20 albums, spanning over five decades of artistic expression and social commitment.




Benito Lertxundi Discografia Completa



In this article, we will explore Benito Lertxundi's complete discography, from his first album in 1969 to his latest one in 2017. We will also highlight some of his most popular songs and the themes that inspire his lyrics. Whether you are new to his music or a longtime admirer, you will discover the richness and diversity of his songs and the beauty of his voice.


Benito Lertxundi's First Albums: The Beginnings of a Legend




Benito Lertxundi's first album was self-titled and released in 1969 by Herri Gogoa, a label that promoted Basque culture and language. The album featured 12 songs, mostly traditional folk tunes that Lertxundi arranged and interpreted with his guitar and harmonica. Some of the songs were sung in Spanish, while others were in Basque, a language that was oppressed and banned during Franco's dictatorship.


The album was well received by the public and critics, who praised Lertxundi's talent and originality. It also marked the beginning of a long collaboration with other Basque artists, such as Mikel Laboa, Xabier Lete, and Antton Valverde. Together, they formed part of the Ez Dok Amairu movement, which aimed to revitalize Basque culture and identity through music and poetry.


Lertxundi's second album, Oro Laño Mee Batek (A Year Has Passed Me By), was released in 1974 by Artezi, another label that supported Basque music. The album contained 10 songs, all written by Lertxundi himself or by his friends from Ez Dok Amairu. The songs reflected Lertxundi's personal and social concerns, such as love, loneliness, exile, oppression, and resistance. The album also showed Lertxundi's musical evolution, as he incorporated more instruments and influences from other genres, such as rock, blues, and jazz.


Benito Lertxundi's Most Successful Albums: The Peak of His Career




Benito Lertxundi's third album, Eta Maita Herria, Üken Dezadan Plazera (And I Love My Country, Let Me Enjoy It), was released in 1975 by Elkar, a label that would become his main publisher for the rest of his career. The album was a huge success, selling more than 100,000 copies and becoming one of the best-selling albums in Basque history. The album contained 12 songs, some of which became classics of Basque folk music, such as "Baldorba", "Oroimenaren Oraina", and "Gure Oroitzapenak". The album also featured guest appearances by other Basque artists, such as Ruper Ordorika, Imanol Larzabal, and Oskorri.


Lertxundi's fourth album, Zuberoa - Askatasunaren Semeei (Zuberoa - To the Sons of Freedom), was released in 1977 by Artezi. The album was dedicated to the people of Zuberoa (or Soule), a region in the French Basque Country that was facing cultural assimilation and political repression. The album contained 11 songs, mostly based on traditional Zuberoan melodies and poems that Lertxundi adapted and sang in Basque. The album was also a tribute to Pierre Topet (also known as Etxahun-Iruri), a Zuberoan poet and singer who died in 1976.


Lertxundi's fifth album,


Benito Lertxundi's Experimental Albums: The Search for New Sounds




Benito Lertxundi's sixth album, Altabizkar & Itzaltzuko Bardoari (Altabizkar & The Bard of Itzaltzu), was released in 1981 by Elkar. The album was a double LP that contained two different works: Altabizkar, a 20-minute epic song based on a poem by Garay de Monglave about the Battle of Roncevaux Pass in 778; and Itzaltzuko Bardoari, a 10-minute song inspired by the life and death of Gartxot, a legendary bard from Itzaltzu who was persecuted by the Church. The album was a musical experiment that combined folk, rock, classical, and electronic elements, creating a unique and innovative sound.


Lertxundi's seventh album, Gaueko Ele Ixilen Baladak (Ballads of the Silent Night Fire), was released in 1985 by Elkar. The album contained 10 songs that explored different musical styles and influences, such as Celtic, African, Latin American, and Oriental. The album also featured collaborations with other musicians, such as Kepa Junkera, Iñaki Salvador, and Jean-Michel Bedaxagar. The album was a reflection of Lertxundi's curiosity and openness to new sounds and cultures.


Benito Lertxundi's Recent Albums: The Maturity of a Master




Benito Lertxundi's eighth album, Mauleko Bidean (On the Road to Mauléon), was released in 1987 by Elkar. The album contained 11 songs that showed Lertxundi's maturity and mastery as a songwriter and singer. The songs were inspired by Lertxundi's personal experiences and feelings, such as his travels, his family, his friends, and his homeland. The album also included some of his most famous songs, such as "Bakearen Etxean", "Mauleko Bidean", and "Lau Teilatu".


Lertxundi's ninth album, Pazko Gaierdi Ondua (The Good Easter Moon), was released in 1989 by Elkar. The album contained 10 songs that continued Lertxundi's musical evolution and experimentation. The songs were influenced by different genres and instruments, such as jazz, blues, saxophone, piano, and synthesizer. The album also featured some of his most poetic and profound lyrics, such as "Pazko Gaierdi Ondua", "Ez Zaitut Maite", and "Zure Begiek".


Benito Lertxundi's Live Albums: The Magic of His Concerts




Benito Lertxundi's tenth album, Hunkitura Kuttunak (Cut Ties), was released in 1993 by Elkar. The album was a triple LP that contained 30 songs recorded live during his concerts in 1991 and 1992. The album was a retrospective of Lertxundi's career, featuring some of his most emblematic songs from his previous albums, as well as some new ones. The album also captured the energy and emotion of his live performances, as well as the interaction with his audience and his band.


Lertxundi's eleventh album, Hunkidura Kuttunak II (Cut Ties II), was released in 1994 by Elkar. The album was another triple LP that contained 28 songs recorded live during his concerts in 1993 and 1994. The album was a continuation of Hunkitura Kuttunak, featuring more songs from his discography, as well as some covers and collaborations with other artists, such as Mikel Urdangarin, Imanol Urbieta, and Olatz Zugasti. The album also showed Lertxundi's versatility and creativity as a live performer, as he adapted his songs to different styles and arrangements.


Benito Lertxundi's Tribute Albums: The Recognition of His Legacy




Benito Lertxundi's twelfth album, Hitaz Oroit (Remembering You), was released in 1992 by Elkar. The album contained 13 songs that were tributes to some of Lertxundi's friends and influences who had passed away, such as Xalbador, Mikel Laboa, Xabier Lete, and Antton Valverde. The album was a homage to the people who had shaped Lertxundi's musical and personal journey, as well as a reflection on life and death. The album also included some of his most emotional and intimate songs, such as "Joan Zinen", "Baldorba", and "Nigarra Begian".


Lertxundi's thirteenth album, Hunkidura Kuttunak III (Cut Ties III), was released in 1997 by Elkar. The album was another triple LP that contained 30 songs recorded live during his concerts in 1995 and 1996. The album was a celebration of Lertxundi's 25th anniversary as a singer and songwriter, featuring some of his most memorable songs from his discography, as well as some new ones. The album also showcased Lertxundi's charisma and connection with his audience and his band, as well as his musical diversity and quality.


Benito Lertxundi's Debut Album: The Start of a Legend




Benito Lertxundi's debut album was self-titled and released in 1969 by Herri Gogoa, a label that promoted Basque culture and language. The album featured 12 songs, mostly traditional folk tunes that Lertxundi arranged and interpreted with his guitar and harmonica. Some of the songs were sung in Spanish, while others were in Basque, a language that was oppressed and banned during Franco's dictatorship.


The album was well received by the public and critics, who praised Lertxundi's talent and originality. It also marked the beginning of a long collaboration with other Basque artists, such as Mikel Laboa, Xabier Lete, and Antton Valverde. Together, they formed part of the Ez Dok Amairu movement, which aimed to revitalize Basque culture and identity through music and poetry.


Benito Lertxundi's Second Album: The Consolidation of His Style




Benito Lertxundi's second album, Oro Laño Mee Batek (A Year Has Passed Me By), was released in 1974 by Artezi, another label that supported Basque music. The album contained 10 songs, all written by Lertxundi himself or by his friends from Ez Dok Amairu. The songs reflected Lertxundi's personal and social concerns, such as love, loneliness, exile, oppression, and resistance. The album also showed Lertxundi's musical evolution, as he incorporated more instruments and influences from other genres, such as rock, blues, and jazz.


Some of the songs from this album became classics of Basque folk music, such as "Oi Lur Oi Lur", "Asarre Egon Nahi Nuke", "Herribehera", and "Txori Ttikia". The album also featured guest appearances by other Basque artists, such as Imanol Larzabal, Ruper Ordorika, and Oskorri.


Benito Lertxundi's Fourteenth Album: The Celebration of His Culture




Benito Lertxundi's fourteenth album, Ospakizun Gauean (On the Night of the Celebration), was released in 1998 by Elkar. The album contained 10 songs that were inspired by the Basque culture and traditions, such as festivals, dances, legends, and poems. The album was a tribute to the Basque people and their history, as well as a celebration of their diversity and vitality. The album also included some of his most joyful and festive songs, such as "Nahiago Nuke", "Ospakizun Gauean", and "Kimu Bat Zuhaitzan".


The album was recorded with a large band of musicians and singers, who added richness and variety to Lertxundi's songs. The album also featured collaborations with other Basque artists, such as Kepa Junkera, Iñaki Salvador, and Mikel Urdangarin. The album was a success, selling more than 50,000 copies and receiving positive reviews from the critics.


Conclusion




Benito Lertxundi is one of the most important and influential singers in Basque folk music. His discography spans over five decades and more than 20 albums, covering a wide range of musical styles and themes. His songs are expressions of his personal and social vision, as well as his love and commitment to his culture and language. His voice and guitar have touched the hearts and minds of generations of Basque listeners, as well as people from other countries and cultures. He is a legend of Basque folk music and a master of his art. d282676c82


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